Martin started classical
piano lessons at the age of 6 having been inspired by other members
of his family playing lots of different styles of music. By age 11
Martin had tired of classical grades and was playing jazz tunes from
Dave Brubeck albums and lots of ragtime and boogie. Luckily, he had
a rare-at-the-time, broad-minded teacher who helped him develop this
interest. The first rock influence for Martin was blues guitarist
Johnny Winter but the real turning point was hearing Keith Emerson
for the first time in the early seventies. Martin embraced the rock
and jazz style of that period working out songs by bands like Emerson
Lake & Palmer, Greenslade, Pink Floyd and Weather Report.
In 1978 Martin saw Santana for the first time and was blown away by
the energy of the latin rock rhythms that drove the band and in particular
by the keyboard playing of Tom Coster. Little did he know then that
hed be reproducing those same lines today in La Vida Santana!
It was an experience that would influence his style of playing for
life, fusing all the rock organ, jazz piano and modern keyboard techniques
that had inspired him from the beginning.
School band "Nomad" saw Martin's first live gigs, and shortly
after graduating from college , whilst managing a music shop in Reading
, he began to spread his wings, working with cutting edge classico/jazz/rock
band "Maggotts" and his own first recording band "Sphinx".
Martin wanted to learn as much as possible from many different styles
of music and gained much experience and an introduction to "real"
jazz with the BBC Big Band led by vibes jazzman Alan Graham. Martin
took this jazz experience and his interest in the funk/fusion scene
into several bands, working with Berklee alumni Russ Halliday in jazz
rock stars "Off The Cuff" and fusion band "Chain Reaction".
Popular radio commentator, author and pop pundit Alan Clayson, recruited
Martin into his outrageous band Clayson and the Argonauts, with whom
Martin recorded albums, singles and played memorable live gigs at
Glastonbury Festival alongside Stevie Wonder and Stonehenge Festival
(when there was one!). Gigs with the Clayson band were always memorable
Martin says "we either got three encores or had to lock
ourselves in the dressing room and escape as quick as possible
sometimes out the window gigs with Alan were always unpredictable!"
The eighties saw chart success for Martin
with the melodic rock band "Sloan" and shortly after this
period Martin worked as product specialist/designer for Casio and
Korg keyboards working in Japan and Europe, demonstrating at all the
industry trade shows and working with inspirational people such as
Jools Holland and Ellis Hall (Tower of Power).
Martin had throughout this time, been a prolific composer and the
nineties saw the emergence of Martins own funk/fusion band "Curfew",
who now play the major jazz festivals in the UK and Europe and have
released two CDs (available via AfterDark Records visit the
Curfew website www.jazzfusioneers.co.uk
for further details).
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Martin's dynamic keyboard style has
attracted many top collaborators including some of the UKs
leading sax players such as the international award winning Theo
Travis, the legendary Dave OHiggins, and US3 and Incognito
star Ed Jones to name but a few.
Recently Martin was joined on stage by two monster players from
the States Berklee sax graduate Vincent Green, and trumpet
player Les Carnegie who toured as part of the real Santana band!!
Now Martin combines all this experience to reproduce the diverse
styles of Carlos Santana's music spreading from the sixties to the
present day. He says " for me, Santana is unique in the history
of rock music he combines the raw energy of rock and the
technical creativity of jazz with the vibrant rhythms of Latin America
this music is just so much fun to play. My favourite Santana
keyboardists are Tom Coster (simply awesome playing, especially
on the Moonflower album) and Chester Thompson - the current man
in the hot seat. I love CTs organ work he has a great
gospel feel but combines it with all the jazz chops too great
stuff."
Martin says he doesnt have a single favourite Santana track:
"I love all the tracks but particular favourites from the older
days are Dance Sister Dance and Europa, and from the recent albums
Yaleo and Maria, Maria that's a great song to play
it always goes down so well with audiences."
Martin loves to talk keyboards and music with fellow fanatics, so
catch him after a show if you want to know more about his extensive
keyboard rig or want to share some ideas.

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